While I personally prefer screen over stage when it comes to entertainment, I come from a long line of theater aficionados.
Seeing a show on Broadway isn’t a regular activity, but something I try to do every one or two years.
With that in mind, I was excited to see “Spider-Man: Turn Off The Dark” recently in New York.
With mega-names like Julie Taymor, Bono and The Edge behind the creative direction, and a $65 million production price tag, it had quite a buzz. And that was before the wrath of rewrites, injuries and delays.
It had been quite a while since a Broadway show dominated headlines.
So…what did I think of it? (Keep in mind, I’m no critic, or stage junkie)
Writing – The plot was familiar to Spider-Man fans, as it covered his origin story. But it added some new wrinkles so even die-hards would find something new. Some of the dialogue seemed forced and not all of the characters had a lot to work with.
Acting – For our show, we had the understudy for Peter Parker. All of the acting was appropriate for a comic-inspired musical. It ranged from light to over-the-top. Most everyone was serviceable, except for Patrick Page, who stole the entire show after his Norman Osborne turned into the Green Goblin.
Music – It’s U2. It’s fantastic.
Production – The best way to describe it is by saying that they used every inch of space in the entire theater to tell the story. The sets were more 3D than a Pixar feature. Lighting, sound, set design, costumes – A+ all around.
Conclusion – What an enjoyable show! It was not the greatest show of all time, but I don’t think it was trying to be. The plot was a bit rushed, the singing good (not great), but all in all, it was quite a spectacle. I’m not in the business of giving ratings so let’s just call it a recommendation, but not the HIGHEST recommendation.
I never understood why the rich guy was so chummy with the tax guy. But…BOOOOOOOOOOO!!!!!!! I hatez rich guys! I hatez taxes! BOOOOOOOOOOOOOOOOOOOOO!!! There, that works!
Their opponents on this night were the Natural Disasters! Earthquake and Typhoon were massive and mean – but, oddly, cheered by fans.
Earthquake was previously known for squishing Hulk Hogan, sitting on people, but ultimately, causing no real impact.
Typhoon was a big, scary, young behemoth that was primed for destruction. What would his career hold? (Wrestling fans know about The Shockmaster!)
So, in 2011 news terms – we have the stock market/global financial crisis pitted against the Virginia Earthquake and Hurricane Irene!
Who would win this 1992 battle for August 2011 supremacy?
We had a massive fricking earthquake up and down the East Coast this week.
Property damage was minimal – one spire fell off the National Cathedral and a potential crack in the Washington Monument is being investigated.
So with no damage or reported injuries, the snark could take center stage.
The @DCQuake Twitter feed popped up shortly after the earth settled. It wasn’t me – I swear! (Although there was one particular message they posted that was well-crafted!)
Yes, the day was frightening. Cell service was down for hours. It was beyond scary.
But looking back, what a wild experience!
I got an email from my cousin saying, “Well, you can cross ‘survive an earthquake’ off your bucket list now!” Brilliant.
What were some of your favorite snark-quake notes and Tweets?
Let me leave you with this:
I saw this poster today, and it is a perfect summation of the snark surrounding this quake:
Today on the iostudio blog, I discuss the marketing prowess of Lady Gaga and the three top tactics she has perfected. (Click the link, then come back here. We’ll wait.)
I am completely fascinated by her. At such a young age, she forced herself into the public consciousness by having good-to-great music and an unforgettable image. She mastered the art of self-promotion.
(One day, I’ll open a Self Promotion Hall of Fame with Gaga joining Dennis Rodman as the first inductees.)
Previously, I’ve discussed why Lady Gaga is “PR Crazy” (but in a good way) and announced that I want my daughter to consider her a role model.